William Mapother

Blog Archives

Blog Categories

William's Blog

SAG ‘Working Actors’ Panel

Posted on: May 8th, 2014 by wmapother 1 Comment

Last night I was on the panel for a SAG Foundation talk, “Conversations with Working Actors.”  It was a blast.  The other three were Curtis Armstrong, Beth Grant, and Richard Lawson. I would’ve been happy just to sit in the audience to watch and listen to those three. The video is now online.SAG Foundation logo

 

 

‘Working Actor.’ Sounds like a punchline

Posted on: May 1st, 2014 by wmapother No Comments

This Tuesday, May 6, I’m on a panel in Los Angeles for one of the Screen Actors Guild Foundation’s “Conversations with Working Actors.”  All SAG-AFTRA members are SAG Foundation logowelcome.  But beware.  I’ll do my best not to steer anyone into the ocean with bad advice…

 

New Elder Abuse PSA

Posted on: April 11th, 2014 by wmapother 2 Comments

I’m on the board of the Artists and Athletes Alliance, which helps artists and athletes interact with and understand the politicalprocess.  Recently, they offered to shoot PSA’s for causes we support.  I shot mine for the National Center on Elder Abuse, and the PSA is now online.

NCEAArtists & Athletes Alliance

 

 

 

 

 

 

 

Posted on: March 22nd, 2014 by wmapother No Comments

Tomorrow night I return to ‘The Mentalist‘ as that bundle of joy and giggles, Richard Haibach.

mentalistIt should be a lovely time for all.

Slated’s New Scoring System

Posted on: March 21st, 2014 by wmapother No Comments

As a co-founder of Slated, the film finance marketplace, I feel both fortunate and proud to have the team that we do.logo-beta-dark-2x And today both those feelings were boosted a good bit, because Slated just debuted a new, industry-wide scoring system.  The two types of scores, Packaging and Credits, are intended to generate better practices when projects are packaged, or assembled for financing and production.  The system is a great example of Slated’s goal since its beginning:  Increase clarity, efficiency, and quanitification throughout the film industry.  And it’s both overdue and badly needed.

The industry tolerates and even cultivates subjectivity and black-box secrecy in many of its business decisions. In addition to preventing standardization (and with it, a better ability to analyze results), this approach also discourages the participation of potential outside investors—something the film industry can no longer afford.

Our scoring system is far from perfect (yet!), and it’s sure to generate some indignation and debate, but it’s a big step in the right direction.

Finally, we didn’t publish our algorithm, but we did offer an explanation and some tips on how to boost your score. Keep an eye out for more features coming soon..