William Mapother

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United We Stand, Diluted We Fall

Posted on: August 19th, 2010 by wmapother 4 Comments

SAG and AFTRA are considering merging with one another.  Although the merger won’t move into high gear until 2011, it’s especially important for SAG members to understand this issue now, because next week they’ll be voting for new members of the SAG Board of Directors.  I’m a candidate, and I’m running on the slate of Membership First.

Most actors, myself included, are in favor of a merger.  There’s little benefit in splitting our screen work between two unions.  However — it must be a merger under terms which strengthen actors’ voice and preserve their independence.  This seems pretty obvious, right?  If a merger won’t strengthen actors, why do it at all?

To help produce this result, I and my fellow candidates for the Board in Membership First want a simple solution:  All Actors in One Union.

The sticking point to this is that AFTRA has many non-actor members (broadcasters, weathermen, etc.).  Some people are so eager for a merger that they’d like to bring non-actors over into an all-actors union.  But doing so would likely mean that these non-actors would vote on actors’ contracts.

There are a couple very big problems with this.  First, non-actors are not familiar with actors’ concerns (residuals, contract terms for different types of roles, etc.).  [And the reverse is true:  Actors don’t know the concerns of non-actors—although in one big union, actors would be voting on their contracts.]

The second problem is that non-actors don’t work under actors’ contracts.   They aren’t affected by such contracts.  If the contracts improve, they don’t benefit from them.

Therefore, they’re unlikely to vote with actors on standing tough on certain contract issues:  Why would (or should) non-actors risk losing days at work by voting to improve someone else’s contract?

Also, because the non-actors would be a minority in the merged actors’ union, they’d likely seek to increase their voice by voting as a bloc (i.e., all in the same way) and voting very actively.   Doing so would give non-actors a power and influence much greater than their actual percentage of membership.  So it’s easy to imagine the outcome of a close (or even somewhat) vote being determined by non-actors.

The end result:  Actors would no longer be in sole control of deciding on the contracts which determine their salary, residuals, Pension & Health plans, etc., etc.

Please preserve the entire purpose of merging:  To strengthen actors’ voice and control.

All Actors in one union.

So if you’re a SAG member (or know one, then please tell them):



Posted in Acting Tips & Info

A-Running We Will Go

Posted on: August 6th, 2010 by wmapother 6 Comments

Yesterday the Screen Actors announced the candidates for its upcoming 2010 Board election.  The listing is here.

Although I know you’re just dying to spend 10 minutes reading all the  names, I’ll cut to the chase:  Yours truly is running yet again.  (Must be something in the water..)

The candidates’ names are drawn at random for listing on the ballot.  I got #43, a number first identified by the ancient Egyptians as the single luckiest number under the sun.

Significances of the number forty-three:  It’s the 14th smallest prime number; I-43 runs through Wisconsin; and 43A.D. began on a Tuesday.  I mean, seriously, how can I lose?

Ballots are mailed out to members on August 23.  Don’t forget

Posted in Acting Tips & Info, News & Events

All Actors, One Union

Posted on: August 3rd, 2010 by wmapother 4 Comments

Almost all actors know this, but most non-actors don’t:  There are two unions for on-screen actors:  SAG and AFTRA.  This is unique among in Hollywood.  All screenwriters–one union; all directors–one union; all drivers-one union; etc., etc.

The reason why actors are split between two unions is not, unfortunately, as simple (or as fun) as cracking jokes about our not being able to govern ourselves.  The solution, however, is a heckuva lot simpler:  We must gather all actors into one union to maximize our power and independence.
A union increases its members’ strength through their solidarity.  Without that, there’s little point in gathering under the same roof (except for the parties).  To cite the motto of the great state of Kentucky:  United We Stand, Divided We Fall.
Posted in Acting Projects, Acting Tips & Info, Louisville & KY

O, What a Rogue and Putting-Off Slack Am I

Posted on: July 10th, 2009 by wmapother 4 Comments

Please forgive the tardiness of this post. In faith, I have a good reason: a head full o’ Bard. In mid-June I began the intensive Shakespeare Lab at NYC’s Public Theatre.

Basically, it’s eight weeks of the Man from Avon, from soup to nuts. Twelve of us (and I’m in very good company) are given a variety of Shakespeare-centered classes in everything from Acting to Voice. The facultyis remarkable.

It’s been everything I hoped for and more. One of the difficulties of being an actor is how little time is actually spent acting. (Most working actors I know feel that their real job is looking for a acting job.) We do it because we love it, and then we don’t get a chance to do it. And when we do get the chance, although we’re generally grateful for the work, it’s often not challenging.
The challenge is part of what appealed to me about the Lab, and boy, has it delivered, both in the amount and nature of the work. And, of course, the text itself. I’ve read Shakespeare in college as an English major and then for pleasure, but playing it is something else entirely.
The complexity of the thoughts, language, and situations, to say nothing of the requirements of the verse itself, demand everything from the performer. (Only four weeks in, and I’m already holding forth like a veteran. Dang.) I’ll just say this: Attending the Lab is one of the best decisions I’ve made in some time (not, some would assert, that that sets the bar very high..).
We finish the Lab with some performances around NYC August 1-9. The show will be a mixture of scenes, sonnets, and maybe some Elizabethan dancing and singing (no, not even this faculty can teach me to sing). For those in the area and interested, the dates and locations are on the blog’s calendar. (To be sure the place, date, time hasn’t changed, before attending please be sure to call the Public Theatre: 212-539-8500.)
Fare thee well!
Posted in Acting Tips & Info, In Person (or, like, Live), NYC, Stage

An Appalling Proposal

Posted on: May 25th, 2009 by wmapother 1 Comment

In the past few days, Screen Actors Guild members should have received the proposed contract covering TV and Theatrical (film) work.  If you’re a member or can persuade someone who is, I urge you to vote NO on the proposed contract.

It’s a devastating deal for all actors.  Not only in the short term, but worse, in the long term:  Because this is the first contract to cover New Media/the Internet, the payments we agree to in this contract will be with us for decades:  The Producers have repeatedly refused to change formulas which benefit them.
An all-union negotiating front in 2011 is a pipe dream:  The Producers are under no obligation to face all unions at once and will therefore almost certainly refuse to do so.  Even if they did, the DGA in its entire history has gone on strike once — for 15 minutes; AFTRA chose to negotiate alone last May instead of with SAG; and the WGA just went through a strike.  It’s now or never.
For yourself, for older actors, and for the next generation, please vote NO.
Two Vote No video from some well-known actors are here  and here.
Some reasons to vote NO are because if this contract passes:
1) Actors on shows made for New Media and shown on ad-supported sites (eg, uh, Hulu) will receive ZERO residuals — forever.
2) Studios can use non-union actors in New Media shows with SAG’s blessing.
3) Actors will be forced to promote, in character, any product in TV, film, and New Media.  Without compensation.  This will potentially devastate commercial opportunities for actors.
4) Pre-’74 TV shows and pre-’71 films can be shown on New Media for ZERO residuals — forever.
5) Actors will be forced to give away rights to their image, voice and likeness in New Media as a “condition of employment” (i.e., if they want to be hired).
6) SAG has lost (by the Writers Guild’s calculation) about $4.5 BILLION since 1985 because they agreed to a discount in the first contract covering Home Video.  Since then the Producers have refused to improve the formula, even as Home Video took off (over $23 billion in 2007!).  Whatever we get in this contract, we’re stuck with for a long, long time.
PLEASE VOTE NO!
Posted in Acting Tips & Info, Video (Online & Home)