The Wall Street Journal has a terrific video on Slated, a film finance platform I co-founded, and on how it makes investing in film accessible to those outside the film industry.
The Wall Street Journal has a terrific video on Slated, a film finance platform I co-founded, and on how it makes investing in film accessible to those outside the film industry.
Longtime readers know I’m a proud co-founder of Slated, an online film finance marketplace. We connect investors and indie filmmakers, and we’ve also built the first industry-only social network, with over 17,000 users. For more information, check out , and our FAQs on the Slated site.
Every month Slated hosts a Filmonomics panel at the Los Angeles SoHo House. The most recent panel was on the Catch-22’s of casting, and the panelists were myself, Peter Facinelli (“Twilight,” “Nurse Jackie”), and Jon Gries (“Napoleon Dynamite,” “The Bridge”).
Check out the Filmonomics video that includes parts of our panel. The Slated CEO, Stephan Paternot, hosts weekly Filmonomics videos. You can see and subscribe to all the Filmonomics videos.
As a co-founder of Slated, the film finance marketplace, I feel both fortunate and proud to have the team that we do. And today both those feelings were boosted a good bit, because Slated just debuted a new, industry-wide scoring system. The two types of scores, Packaging and Credits, are intended to generate better practices when projects are packaged, or assembled for financing and production. The system is a great example of Slated’s goal since its beginning: Increase clarity, efficiency, and quanitification throughout the film industry. And it’s both overdue and badly needed.
The industry tolerates and even cultivates subjectivity and black-box secrecy in many of its business decisions. In addition to preventing standardization (and with it, a better ability to analyze results), this approach also discourages the participation of potential outside investors—something the film industry can no longer afford.
Our scoring system is far from perfect (yet!), and it’s sure to generate some indignation and debate, but it’s a big step in the right direction.
Finally, we didn’t publish our algorithm, but we did offer an explanation and some tips on how to boost your score. Keep an eye out for more features coming soon..
As a co-founder of Slated, the film finance marketplace, I’m proud to share a few links with some great news about our company.
The first is on Slated’s own site and details our new focus and direction.
The second is an LA Weekly interview with Slated’s CEO and one of my co-founders, Stephan Paternot.
And the third is a Deadline Hollywood piece about Matthew Modine’s latest project being listed on Slated’s site.
TechWeek, a digiterati conference held in several large (so far) U.S. cities, has named me to their first LA TechWeek100. Per their site, “The Techweek100 identifies Los Angeles area leaders who have a significant impact on business and technology.” I’ve been named both for being a co-founder of the film finance marketplace Slated, and also as an investor in various tech startups. The list is humbling; I’m in very good company.
More from their site: “The Techweek100 includes managers of fast-growing technology companies, prominent investors, key enablers of the digital ecosystem, creators of new technologies, and other innovators that make important contributions to their field. The Techweek100 is not a ranking but rather a list of 100 technology leaders and organizations chosen by the Techweek community, Techweek Advisory Boards, and Team Techweek.”
The LA conference runs Nov. 21-22 and features a number of fascinating topics and speakers I’m looking forward to hearing.